Bec: A number of important themes run through Refuge: (friendship, loyalty, and self-discovery to name a few). What is the most important thing you’d like your readers to come away with, after having read this book?

A V Mather: If Refuge could be considered a cautionary tale, in the tradition of the original fairy tales, then the Doctor is the witch in the gingerbread house. I wrote the character as an example of how easy it is to be taken in and controlled by someone, when you are lost and desperate. I guess one message is: if a much older stranger seems to be completely captivated by you, if they agree with you and understand you better than anyone else, be very suspicious. They may be leading you somewhere dangerous and some people never come back from those experiences. Even if they are not physically harmed, they can remain trapped there emotionally, just like the children in Refuge.

The story is also about finding your own strength and your own character, regardless of what other people are doing or saying. That is a very difficult thing to do, to back yourself, particularly when you are young and feel you have no real power. Nell discovers that she does have worth, beyond the needs and desires of the people around her, and this gives her the courage to forge her own path.

Bec: Refuge contains some incredible world-building. Can you tell us a bit about your process? Do you draw maps for yourself, for instance?

A V Mather: I do a bit, but they’re mostly just scrawls to orient things in my head.
The world-building is at the centre of the process for me, and I tend to be very indulgent about it. I am that person who notices everything and I have a tremendous curiosity about my environment. I had to cut reams from my first drafts of Refuge because there was far too much description of the world Nell was seeing.

Most of my process stems from an original point of view and then grows outwards. For example, I see it from Nell’s perspective first, experiencing it as she would, and then pull back to the bigger picture. That first impression is very important to me and I find that if I do it the other way around, I tend to lose that original sense of wonder or intimacy. I begin with my imagining of the place — the look, feel, smell — and then follow that up with research. This is mainly if the place or object is based in historical reality, if it’s drawn from a subject that I know little about, or just to feed the imagination with examples.

Bec: The characters in Refuge are so vivid and distinctive that they virtually leap off the page. Can you tell us a bit about the process you went through creating your central characters and their relationships?

A V Mather: I began writing the story around the characters of Doctor Nathanial Fray and Gideon. Although it might not seem like it to the reader, the story very much grew from the Doctor, rather than from Nell, so I devoted a lot of my time to him in the beginning. I knew that he had to be a psychiatrist and not from the modern era, so I did a great deal of research on the development of psychiatry through the ages. I wanted him to be experimental and tragic and I’ve always been horrified and fascinated by Bedlam, so seemed the ideal place to start.

It’s very important for characters to have their own, authentic voice. This was a challenge in Refuge because so many of them belong to different eras, as well as nationalities. There was a constant danger of slipping into the wrong mode of speech. Keeping them all distinct from each other while having the same conversation proved difficult, particularly when I was racing to keep up with what they were saying in my head. I found it necessary to keep a vocabulary profile for each character, that I could refer to when writing their dialogue.

All the Australian characters have grown from my own experience, but all of the others were researched. The Doctor is from early-mid 1700’s in London, Gideon is an English ‘wharf rat’ from later in the century, Fox is one of the ‘Bright Young Things’ from the early 1920’s, Deuce is from the Deep South in the ‘50’s and Janus is from Queensland in the mid ‘70’s. Mixed in with that are characters like Mary Wentworth, who is from the Doctor’s time but a different social class, and the twins, who originate from Paris in the early 30’s.

The real trick was to make all of that authentic but not alienating. I constantly had to keep my audience in mind when writing the interactions between characters, to make sure that they would be able to follow it.

As for creating the relationships, I think all of them are based on real-life scenarios, if not as true accounts, then at least symbolically. Gideon’s need to confront the father who bullied him, and his need to bully others in turn, is probably the most obvious example of an eternal allegory or trope. You can see examples of it every day in the news, the workplace, or the school playground.
I strove to portray a variety of relationships and show that they don’t have to be perfect, or even particularly wonderful, to be valuable. For example, Nell’s relationships with her grandfather, her aunt and Grace are pretty uncomfortable at times, but they’re worth more than a thousand fake friendships with the likes of Tabby Crane.

Bec: Which of your characters Burns Brightest in your mind and why?

A V Mather: My first reaction is to say the Doctor, although of course I like them all. The Doctor is really the character that the whole story revolves around and without him there would be no Refuge. The first thing I wrote of Refuge was one of his interactions with Gideon and it grew from there, so they are both close to my heart. Perhaps it’s strange, beginning a story by writing the villains but they are so interesting.

The Doctor is brilliant, charming, perceptive and ruthless. A man ahead of his time, crushed by tragedy, who has been given the opportunity to rewrite history — a dangerous combination. He is a master of manipulation and operating on a completely different playing field to everyone else. He represents what happens when intelligence and sensitivity become warped by ambition, guilt and obsession. I very much enjoyed developing his character. One of my early readers said that he reminded them of a spider, sitting in the centre of its web and I like that analogy.
And just quickly, I also love Fox. I would love to be that confident and unflappable.

AUTHOR BIO:

I was born an only child in a remote gold mining town in Canada. My family moved to Australia when I was very young and I grew up on stories of eccentric characters in wild places; of exciting rescues, bears that destroyed helicopters and the silence of wolves.

My life since has continued to take a few eccentric turns of its own, from studying Visual Arts in Northern NSW, to set painting on a TV series, to teaching art at a boy’s boarding school in Central QLD. Through it all, my love of stories — telling, watching, reading and hearing them — grew stronger and eventually I answered the compulsion to write.

I enjoy reading widely across genres and am also interested in art, nature, satire, history, photography, popular culture, psychology, road trips and good stories – real and imagined.

I live in Brisbane, Australia with my husband and a constant sense of foreboding.

AV MATHER’S WEBSITE

Refuge is available now on Amazon for Kindle:

ISBN B01MZDXBQ3

refuge

noun

A place that provides shelter or protection.

Twelve year-old Nell McLellan’s world is in turmoil. At school she’s suddenly got the attention of the most popular girl in the class but it has alienated her safe and steady best friend Josie; at home her work-obsessed parents appear to be on the verge of divorce.

When Nell is shunted off to North Queensland and the care of her rarely seen Grandfather for the holidays her problems seem magnified. Doesn’t anyone care that she’s struggling?

Well, someone does…some ‘place’ actually: Nell just doesn’t know it yet. Stumbling around the grounds of the local high school in search of the holiday drama class her parents insisted she attend Nell finds herself following a series of curiously worded signs. Feeling lost? one beckons. Follow the stairs, instructs another. Before she knows it Nell has turned the handle on an old wooden door and stepped straight into a world she could never have imagined: Refuge.

This rapidly paced fantasy novel targets middle grade (8-12 year-old) readers and is written in full-colour and high definition. The beguiling cast of characters who inhabit Refuge — a world created as a safe haven for lost souls — take Nell on a twisting, turning journey of self-discovery (and manage to give young readers some sumptuous but ever so subtle historical insights in the process).

There is the Doctor, Refuge’s mad scientist-style creator who hails from early 1700s London; then we have tortured Gideon, an English ‘wharf rat’ from the late 1700s still ruled by his past; there’s shape-shifting 1920s aristocrat Fox, as charming and cunning as his name suggests; the frightening Deuce, straight from America’s Deep South in the 50s; and Janus, probably the most mysterious and hard-to-pinpoint of the bunch (I won’t ruin it for you by revealing too much about her). Each of them pull Nell (and us) deeper into a riddle that seems impossible to solve.  

Stranded in Refuge, our lost girl Nell finds out she has just three days to choose her future: stay in this strange, supposedly ‘safe’ haven forever or return to the life where she felt lost?

Refuge is the debut novel of former scenic artist and teacher A.V. Mather and it is clear she is a writer who is very much at home in the realms of fantasy. Refuge is a world well imagined. The city-scape with its era-hopping evolution feels rich and enchanting — I really enjoyed spending time there.

And Nell’s journey kept me guessing in lots of good ways. However, I did feel her character’s growth, which was realised at the end of the book, could perhaps have been built more incrementally as the story progressed. I love a character with chutzpah and while I know that isn’t who Nell was at the beginning of her journey, there were junctures along the way when I was frustrated by her willingness to be led rather than make her own decisions.

Perhaps this is all part of the author’s plan, though. When I turned the last page of Refuge I was ready to dive into book two…Nell’s adventures don’t feel finished yet. I hope A.V. Mather is planning to send Nell back to Refuge with another book in the series because I see her returning and this time as a very different girl.

 

Picking up from where Blood of Innocents left off Mitchell Hogan returns us to his chaotic realm of sorcery and subterfuge in book three of the Sorcery Ascendant Sequence; A Shattered Empire.

Familiar protagonists return in this blood-fueled third volume of Caldan’s life as he seeks to find a cure for his beloved Miranda; to free himself from the nefarious plans of the corrupt and sorcerous Emperor; and maybe even save the world from Kelhak, the man who brought destruction and death down upon the world in the most apocalyptic game imaginable.

The narrative is, like the previous volumes, split between protagonists and antagonists alike: Caldan, the once regal but now destitute Lady Felice, honourable and misjudged Aidan, homicidally insane Amerdan and more getting to tell their sides of the story. It reveals that in times of war and great confusion things are rarely black or white; in the end people will do what is necessary in order to survive or help those they care about. While others are using the time to accumulate power or practice their craft on a panicked populus.

All the elements of the game are now revealed to our young protagonist. Sorcerous warlocks demand his blood to extend their lives, violent Touched demand his loyalty unto death, and the creatures that seek to overrun humanity see him as little more as a distraction towards their ultimate victory.

A Shattered Empire is a master-crafted piece of world building, going deeply into historical backstory, character arcs and both technical and philosophical discussion as to how such a land and people develop. In doing so Hogan has answered so many questions that remain lodged in our minds since the A Crucible of Souls, such as what happened to Caldan’s parents? What is the purpose of the mysterious trinkets he carries? Can anyone truly be trusted? And is there any way he can save the world so that he and Miranda will be left in peace?

In this, the most deadly of games, all rules are going to be broken. The pieces are arranged, schemes and strategies plotted, each possible move a risky gamble that could lead to supremacy or disastrous defeat. In the game of Dominion there can only be one winner; but what if winning comes at too great a cost? Only Caldan can make that decision.

If he fails all that will be left is A Shattered Empire.