Jamie Marriage

Jamie Marriage is an internationally published Australian cyberpunk author with a taste for the dangerous and obscene aspects of life. His work ranges from the sarcastic to the satirical. Links to his work can be found at www.JamieMarriage.com

Welcome to Abducticon! This weekend will be of this world.

Getting to read something light and crazy is a great pleasure in a world where so much so science fiction is dark and complicated. AbductiCon by Alma Alexander is a wonderful example of what you can do with familiar settings, pop culture, and a less serious tone.

Taking place in a generic science fiction/pop culture convention, the novel begins in the midst of the chaotic moments before the opening of a mid-sized convention catering to science fiction and fantasy fans, gamers, and the general geek community. Anything that could go wrong is going wrong: the posters are getting re-printed for the third time, the guest of honour missed his flight and out of contact, the coffee in the hotel is terrible, and there are some strange silver people getting in the way and confusing the staff.

Andie Mae — running the con for the first time after instigating a coup to assume power from the man who had been running it for the last three decades — is caught up in matters common to those in convention management when, suddenly, she has to face a crisis not only unimagined by previous management, but also by anyone else outside of fiction. Her convention, hotel and all, are abducted by alien androids with baffling motives. Within a very short period the convention is newly christened “Abducticon” and becomes something far greater than just an evening for fans to meet Terminator and Star Trek actors.

Making fun of itself and the very culture which spawned it is one of the main elements of Abducticon. Alma is quick to jump on any chance to throw in a quote or simile from popular media, be it a Star Wars joke when an elevator gets stuck, introduction of new technology only seen in Star Trek, or even just cursing in Battlestar Galactica fashion. It’s these little forays into the cultural heart of what is, especially in America, a very popular community, which helps to flesh out character and explain concepts that could easily be the basis of long philosophical discussions.

Alma has done a great job putting this novel together. Characters are well drawn and with plenty of depth; the setting is perfect and believable – even if the situation isn’t – and the interactions and discussions thought provoking and real. There are plenty of interesting concepts afloat such as the limitations of the laws of robotics and the nature of destiny. More than enough to impress, not only the die-hard Sci-Fi buff, but also, the casual reader.

Abducticon is a fantastically fun ride: not quite a spoof, not quite serious, but on every level enjoyable from cover to cover.

Hiya! I’m conducting a two day workshop in Kilcoy at the GONDOR WRITERS CENTRE on May 30th and 31st. Contact Elaine Ouston to book your attendance. It is very reasonably priced, so don’t miss out.

I’ve been presenting worldbuilding and research workshops for a few years and I’ve learned some great tips to help you make your novels and stories more authentic. I can’t wait to share them with you. Bring a friend and have a fun weekend away!

Marianne’s Workshops: 

Research and World-building

Day One: Research – how to start, where to look, and when to stop!

Day Two: World-building – creating authentic worlds without turning your novel into an indigestible travel diary. How much do you need to know? Learn what to put in and what to leave out.

Jamie Marriage

Jamie Marriage is an internationally published Australian cyberpunk author with a taste for the dangerous and obscene aspects of life. His work ranges from the sarcastic to the satirical. Links to his work can be found at www.JamieMarriage.com

When it comes to eclectic storytelling William Gibson is, if not king, then an accomplished baron. His earlier works have brought forth the birth of Cyberpunk, awareness of the realities of technological advancement and the dangers of globalised surveillance, and more narrative creativity than is usually found in a geek’s library. And in his newest work, The Peripheral, it’s easy to say that Gibson’s eccentric prose has hit upon another winner.

Complex from the start, and requiring more than a little lateral thinking to work out the story’s arc, The Peripheral is a deep and compelling near-future tale told in numerous tiny chapters–often at a hectic pace.

When young gamer girl, Flynne’s, military veteran brother hires her to take his place in an online game piloting drone aircraft, she can’t see beyond the quick cash and excitement of the unknown; before long she is drawn into what seems to be the death of one of the game’s characters in a world not quite like her own. The sudden and mysterious death of armed strangers to her small community is only bound to complicate matters.

In another place and time, media publicist Netherton is charged with the protection of, and advertising for, a client in his charge: a client who has been sent to a newly formed island in the middle of the sea to negotiate with the mutated inhabitants living there. However, both the client and Netherton have their own agenda, which doesn’t bode well for what, to the world, appears a diplomatic mission and publicity stunt.

Things become all the more confused when Netherton is placed in charge of contacting Flynne, whose family is in a land distant in both geography and in continuity.

Exploring two worlds simultaneously is problematic enough, far more so when those timelines are only two or three pages apart. On one side there is emerging technology, heavy economic disparity, guns, drugs, war veterans riddled with PTSD and uncertainty. On the other, is a bright, clean post-scarcity society of deeply engrained advanced technology and strangeness. But somehow Gibson manages to do it with only an initial burst of confusion–a momentary feeling that you’ve stepped into something far bigger than you are used to.

It’s difficult to break down The Peripheral without revealing too much content. Every paragraph is carefully measured and constructed to keep every chapter down to a few scant pages, conveying quickly, and with little wastage, a story deeply complicated and yet approachable if given the opportunity.

Due to the limited nature of each chapter, character development is light but drawn out over the course of the novel, with little pieces forming complete pictures of each character’s motivations, which at the beginning might seem shallow or misaligned. The same goes for the overall storyline. What initially may be seen as a fictional discourse on the future of society where drone technology and 3D printers are the nature of society’s economy(which would seem at home in one of Gibson’s previous series), rapidly becomes a twisted knot of intrigue and counter intrigue far more intricate than at first glance.

The Peripheral is a book of plot within plot, at a level of complexity inside incredible complexity. To start the novel is to be drawn into a rapid current across timelines. It’s difficult, but making it through to the end of this powerful story is well worth a bit of chaos during the journey.