Category: Reviews

atwood-stone mattress‘In these nine tales, Margaret Atwood ventures into the shadowland…’ states the dust jacket for Stone Mattress, her latest collection of short stories. Let me start by saying that they are not kidding around…

In this collection, Atwood presents a cautionary assortment of lives lived and loves lost. They are tales of the doomed, both virtuous and unredeemable, of nasty scheming and back stabbing, of people whose lives have been shattered through carelessness or animosity. They are catalogues of hurts, small and large, and examples of the character that might be built from such events.

Three of the nine tales are interlinked, offering different perspectives on a shared chapter in the lives of the same group of people. The events of their time together have affected the course of each life and preoccupy their thoughts in the present day.

The six remaining works range in subject matter from the macabre to the melancholic. The fourth presents the case of a young woman who is a medical anomaly, living in a small village amongst people who view her as a monster. In the fifth, a recently divorced and opportunistic man seeks adventure.  The sixth tells of a trio of friends who believe that a violent and charismatic woman from their past has reincarnated as one of the group’s pet dog. The seventh is a Poe-like tale of an impulsive contract between student housemates which restricts the success of one. And in the final tale, a group of senior citizens living in an aged care home become the focus of a terrorist group. As can be clearly seen here, dark subject matter and dark humour abound.

As a group, these stories deal with themes of ageing, frailty, social stigmas, isolation – chosen and imposed – and small worlds. A common thread lies in the motif of imminent or sudden death. All of the characters are facing death in some form: their own mortality, the death of a friend or loved one, the end of love, putting to death old grievances, or even murder.

Another theme underpinning the action lies in the character’s motivation. They have all reached some sort of crisis point –either inevitable or beyond their control. For some, this is due to an imposed condition like disease, impairment, or the effects of time, which then affects their actions. For others, their own characters have led them to a moment of action which defines the framework of their lives. Some view their situation with self-pity, while others are stoic in the extreme, but all are very self-focussed and inward-looking.

Each tale has that atmosphere of danger, the slightly skewed vision and fatalistic creepiness that makes for a true dark tale. Surprisingly, there are also moments of bright optimism and the sort of ‘blinkers-off’ humour that develops when life is stripped of all its romantic trappings. A sense of seeing things as they really are, through the illusions that people conjure. Examples of this may be found in the characters’ observations of life and their own situation, or of the foibles and actions of others.

So, why has Atwood chosen to call them ‘tales’ rather than ‘stories’? In her Acknowledgements, she refers to this collection as evoking ‘the world of the folk tale’ as opposed to a story, which implies that the events take place ‘within the boundaries of social realism.’ To me, her delineation between the two terms best describes the overall allegorical flavour of these dark sagas, peopled by narcissists, braggarts, and plotters of nefarious deeds.

I’m ashamed to admit that this is the first of Margaret Atwood’s books that I have read, and I feel horribly unqualified to review it. So look no further than the praise on the back cover from Germaine Greer, Michael Ondaatje, and John Updike for an idea of her milieu.

But if, like me, you are coming to this book from purely a punter’s perspective, what I can say with certainty is this: Margaret Atwood writes exceptionally well. Her prose is economical and yet it reads like the most intricate lace. How she manages to weave in so many details and still make it seem uncluttered was both a mystery and a joy to me. The wonderful and varied atmosphere of tension throughout showcases her deft control of the pacing.

I would place Stone Mattress as being accessible to any reader with the exception of younger teens, for whom the subject matter may be beyond their experience of life.

As parables of age and loss, these tales work extremely well. They force you to consider the ‘stuffing’ of life – the petty, often pointless views and opinions that fill up lives and amount to nothing in the end. Stone Mattress confronts the reader with the sad truth that by the time most people realise this it is usually too late. Most wisdom is learned in hindsight, which can be either blessing or curse.

 

Stevenson_Horizon_C2D2Half a century from earth, six explorers sleep dreamless sleep on a journey to explore a planet that could lead to either salvation or destruction for humanity. That planet; Horizon.

Decades after the events that caused the formation of a few, all-powerful mega-nations, Cait Dyson emerges early from deep sleep aboard the star ship Magellan to find one crew member dead, another in a coma, and the shipboard artificial intelligence turned off. A fearful situation in a crew of those you know and trust; but far worse when your ship contains a half dozen people from other nations cobbled together in a feigned display of camaraderie.

In very short order, Cait is confronted by a crew that doesn’t trust her, no way to call for support, and in a ship many light years from earth and plunging towards possibly the only habitable planet within humanity’s reach. To top it all off, the events taking place back on earth are rapidly forcing her hand to make decisions she is far from comfortable with.

Horizon is a masterful novel set in the cold void of space between solar systems, where trust is as much a valued resource as air or food. The premise behind the original mission is simple enough and pretty standard for Sci-Fi; a group of explorers are sent on a deep space exploration mission to investigate a near-earth planet that could one day be suitable for habitation. This mission quickly degrades in the light of new orders and differing opinions. As each of the characters come from radically different cultures, background tensions become readily apparent, and interactions turn hostile rapidly in such a close environment. As a result, conversation is tight and abrupt, but Stevenson manages to keep the short dialogues relevant and concise; making up for lack of quantity with sharp efficiency.

Stevenson has taken to the harsh reality of space with the tools of a craftsman. The cold ruthless efficiency of space travel is accented with distinct and descriptive technology: deep-space engines, near-human artificial intelligences, and cybernetic design that is not quite viable at the moment, but feels so real in prose. Every character has his or her own flaws and agenda- evidence of a life that is no longer possible so far from everything they know and love. And the bitter reality of what is happening far behind them is a stark reminder of what humans can do.

All that said, Horizon isn’t a depressing novel. It’s cold and terrifying at times, sure, but tinged with purpose and beauty. Not quite hard Sci-Fi, but far from soft, Stevenson has written about a world like our own, in a future that could almost be, with people very close to us. True science fiction, and a true pleasure to read.

sullivan_ShadowboxerI admit that I came to this YA fantasy/action novel with a little trepidation. Professional fighting – in this case, Muay Thai fighting – is just not my thing. The sum of my experience in this subject comes from watching Jet Li movies (of which I am especially fond), which puts me, maybe, a fingernail ahead of total ignorance.

Given that, I was delighted to find myself completely engaged by ‘Shadowboxer.’ Tricia Sullivan won me over with a story that is filled to bursting with impassioned characters, ruthless villains, mysterious places, and hungry ghosts. Her world is a richly layered place, filled with intrigue and action and woven through with a unique element of fantasy. This multicultural story is complex and follows two disparate characters whose lives are about to become enmeshed.

Latina American, Jade Barrera, is trying to channel her aggression into her dream of becoming a professional Muay Thai fighter, but when you’re a teenager with ‘angry bones’ things have a habit of getting out of control very quickly. She has already ruined her first big fight and then compounded the foul-up by punching out martial arts movie star, Tommy Zhang, who’d dissed the local stray cat. Now, she must do whatever it takes to win back the favour of Mr Big – her mentor and owner of Mr Big’s Combat Sports Emporium –for messing up his potential business relationship with Zhang. Unfortunately for Jade, redemption comes in the form of banishment to a gym and training camp in Thailand, run by Mr Big’s cousin.

For eight year old Burmese war refugee, Mya, life so far has been frightening and confusing. Taken from a Burmese prison camp to an orphanage in Thailand, she is now indebted to her benefactor, Mr Richards. But Mya is no ordinary peasant girl, nor is Mr Richards a kindly old man.

She has been specifically chosen by him, along with other children, for her ability to enter the Immortal Forest, a place of legend that exists between our world and the next. Mr Richards has been using gifted children and the Forest for illegal endeavours and has plans for Mya that will see him ascend to a position of unchallenged power.

Although their life experiences are literally worlds apart, when Jade and Mya come together they find a kinship that provides the strength that each needs to battle their demons. Mya’s subtle mysticism compliments Jade’s hard-edged urban style. The world of competitive fighting and the spiritualism of Thailand provide a rich background for their story. The ‘fish out of water’ scenario works well for both characters and it is satisfying to watch Jade’s character growth as the story develops. Beneath all of the action, there also lies a subtext of two girls trying to find their place within worlds dominated by controlling male figures.

A great deal of research has gone into this novel and the author has crafted her world with care. There are no false notes as the story moves between the backstreets of New York, the slums of Thailand and the fantasy world of the Immortal Forest. Combining all of these elements into a believable story and then telling it with the voices of a tough Latina teenager and a young Burmese orphan is no small task. Tricia Sullivan manages to make it look easy and this is a terrific story for YA fantasy readers who are looking for something different. So much in YA urban/supernatural fantasy centres on young protagonists who discover a hidden world and become warriors. ‘Shadowboxer’ delivers a fresh perspective on this theme which I found rewarding and refreshing.

 

Awards

davitt-award  aurealis-award   logo-curtin-university

Peacemaker - Aurealis Award
Best Science Fiction Novel 2014

Curtin University Distinguished Alumni Award 2014

Transformation Space - Aurealis Award
 Best Science Fiction Novel 2010

Sharp Shooter - Davitt Award
Best Crime Novel 2009 (Sisters in Crime Australia) 

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